Showing posts with label Human League. Show all posts
Showing posts with label Human League. Show all posts

Wednesday, October 8, 2008

Lost Gem of the 80s #13: Philip Oakey & Giorgio Moroder - st (1985)

Consider the year, 1985. The Human League were one of the hottest bands in the world with several top 10 hits under their belt and were pioneers of the synth-pop sound that epitomized the early 80s. One would think that a collaboration between lead singer Philip Oakey and legendary disco architect Giorgio Moroder (producer for Donna Summer, Oscar winner for Flashdance and Midnight Express) would birth some cutting edge dance and club music. Instead, it produced a good, lost Human League album.

There is virtually no difference in style between this self-titled cd and the hits the League were churning out at the time. The only remotely noticeable one is the absence of HL back-up singers Susan and Joanne. However, some songs on the album do feature female backing vocals that could easily be interchangeable with theirs. One noticeable voice on “Be My Lover Now” is the unmistakable E.G. Daly. You’d know her from acting in Pee-Wee’s Big Adventure and Valley Girl, and also the soundtracks to Breakfast Club and Better Off Dead (she’s the singer at the school dance). Philip’s baritone is at its usual peak. What a cool, strange instrument that voice is. Dare I say, it sounds a little like if Johnny Cash were British and used synthesizers?

This album sparked no hits at the time and has been out of print and long forgotten until a few months ago when it was reissued with bonus tracks in a new cleaned up mix. If it is known at all, it’s for being the home of “(Together In) Electric Dreams” from the film of the same name, a sort of cult classic and the song the League close out every live show with. It appears on most HL greatest hits packages, even though it is not “officially” an HL track, so it’s easy to assume it was theirs all along. It’s a great song that endures to this day.

Human League are like the Hall & Oates of synth pop. There is no mistaking their pop sensibility and the hits from back in the day are still beloved and strong. The question is whether listeners discount them as being relics of the past, or momentary genius’s that added much to the pop canon. I tend to be one of the latter and love them both more today than ever. While Phil and Giorgio’s collabo isn’t essential, it is a much appreciated missing piece for those with a soft spot for the HL sound. The songs are great and familiar, just as all great pop music should be. If you have an ear that's tuned to synth-pop and are adventurous enough to look beyond the hits, you'll love it.

The Nugget - "Goodbye Bad Times". Of all the singles, it holds up the best.

Saturday, August 16, 2008

Live in Concert: The Regeneration Tour 8/7/08


The best word to describe the Regeneration Tour’s stop in SLC is “efficient”. Four bands keeping a tight time schedule. This was an example of professionals conducting business.

The show began promptly at 7 with Naked Eyes getting right to the point by leading off with “Always Something There To Remind Me”, lest anyone forgot who they were. They did eight songs in 35 minutes. Show over. Fifteen minutes later, ABC comes on stage. Same thing, eight songs in 35 minutes. Show over. Fifteen minutes later, Belinda Carlisle comes out. Again, eight songs in 35 minutes. Finally, the Human League took 30 minutes to take the stage. They did ten songs in 45 minutes. Evening over by 10:30. You figure each band had to pocket a couple grand each. How do I get a job making all that money for 35 minutes of work? Oh, maybe I do that already, actually.

Aside from Belinda, I’ve been a huge fan of all involved for as long as I’ve known what pop music was. In fact, “…There To Remind Me” and “Don’t You Want Me Baby” are some of the first songs I remember taking notice of and ABC has steadily climbed to near the top of my list of all-time faves. There was no way I could pass this night up, even if it meant driving from Denver to Salt Lake City to see it. Unfortunately, A Flock Of Seagulls were supposed to be there, but weren’t. I never heard why.

Luckily, I’ve seen the bands I wanted to see previously. So, while the short set lists were kind of a bummer, at least I know I’ve seen them do their thing before. For not being a fan of Belinda, or the Go-Go’s really, her set was a pleasant surprise, mostly because it was the only one that was new. She still looks great. Slightly thicker, but still hot.

Naked Eyes sound the exact same as they always have. Led by Pete Byrne (collaborator Rob Fisher died nine years ago), they ran through all 3 of their top 40 hits, “…Remind…”, “When The Lights Go Out” and “Promises Promises”. He sounds just the same. He pulled out a few of the cult faves, for those of us who have been paying attention to their lesser known hits. Same thing with ABC. “Be Near Me”, “The Look Of Love” and “When Smokey Sings” were all accounted for, as well as a couple new tracks. Front man Martin Fry remains one of the classiest acts in rock. He’s battled back from cancer to look as debonair as ever.

Belinda played all the songs I knew, but never liked. “Heaven Is A Place On Earth” and “Mad About You” as well as a couple Go-Go’s classics. And finally, the Human League trotted out all their usuals too, like “Fascination”, “Mirror Man”, “Human” and “Tell Me When”. They are an especially good time. Leader Phil Oakey roams the stage going from point to point, almost like he’s on a calorie burning regimen. For a band that created such great dance songs, he doesn’t appear to have much in the way of moves. Meanwhile, the girls, Susan and Joanne, remain on either side of the stage wiggling their hips and flirting with the crowds. All of the artists look great, considering they’re each around 50.

When I tell people who I saw, most of them know the names, but can’t place the songs. They know enough to know it’s been years since they were big, so they usually crinkle their noses or laugh. The truth is, you’d probably know at least 2/3 of the songs that were played that night. Between the four of them, they’re responsible for around 20-25 top 40 hits. Granted, none in the last 15-20 years, but each song remains a staple of life’s background music.

All in all, it makes for a thoroughly enjoyable evening. Get some good friends and let loose. I hope they do something similar every summer. Maybe pull together a different collection of bands. Maybe I’ll quit my job and manage it. That could easily be my life’s calling.